{"id":2086,"date":"2012-01-28T10:27:50","date_gmt":"2012-01-28T10:27:50","guid":{"rendered":"http:\/\/www.bezjarzmowie.info.ke\/test\/?p=2086"},"modified":"2013-11-02T20:56:53","modified_gmt":"2013-11-02T19:56:53","slug":"druga-smierc-niemego-kina","status":"publish","type":"post","link":"https:\/\/siemysli-ke.info\/en\/druga-smierc-niemego-kina\/","title":{"rendered":"Druga \u015bmier\u0107 niemego kina"},"content":{"rendered":"<p><a href=\"http:\/\/www.bezjarzmowie.info.ke\/test\/wp-content\/uploads\/2012\/01\/artysta.jpg\" rel=\"lightbox[2086]\"><img decoding=\"async\" class=\"alignleft size-medium wp-image-2087\" src=\"http:\/\/www.bezjarzmowie.info.ke\/test\/wp-content\/uploads\/2012\/01\/artysta-225x300.jpg\" alt=\"\" width=\"225\" height=\"300\" \/><\/a><\/p>\n<p style=\"text-align: justify\">O <em>Arty\u015bcie<\/em> szersza publiczno\u015b\u0107 us\u0142ysza\u0142a po raz pierwszy podczas zesz\u0142orocznego festiwalu w Cannes. Przyj\u0119to go tam owacjami na stoj\u0105co, a zaraz po seansie po \u015bwiecie rozla\u0142a si\u0119 rzeka pochlebnych opinii m\u00f3wi\u0105cych, \u017ce narodzi\u0142o si\u0119 arcydzie\u0142o. I ca\u0142e szcz\u0119\u015bcie, i\u017c film ten przedstawiono najpierw zawodowym krytykom, bo obawiam si\u0119, \u017ce wprowadzony do kin bez ich ogromnego wsparcia &#8211; m\u00f3g\u0142by zagin\u0105\u0107. \u015awiadczy o tym chocia\u017cby ogromna ilo\u015b\u0107 reklamacji, jakie po seansie sk\u0142adaj\u0105 widzowie, nie\u015bwiadomi faktu, i\u017c film &#8211; na kt\u00f3ry si\u0119 wybierali &#8211; by\u0142 niemy. Na szcz\u0119\u015bcie niedzielni zjadacze <em>popcornu<\/em> kieruj\u0105 si\u0119 g\u0142\u00f3wnie zaleceniami recenzent\u00f3w pi\u0105tkowych gazet, a ci <em>Arty\u015bcie<\/em> zgin\u0105\u0107 nie pozwol\u0105.<\/p>\n<p style=\"text-align: justify\"><!--more--><\/p>\n<p style=\"text-align: justify\">Nowe dzie\u0142o Michela Hazanaviciusa, ma\u0142o znanego francuskiego re\u017cysera, przenosi nas do roku 1927, kiedy to swoje tryumfy \u015bwi\u0119ci George Valentin, gwiazda niemego kina. G\u0142\u00f3wny bohater to narcyz, dla kt\u00f3rego najwa\u017cniejsza jest s\u0142awa i oklaski publiczno\u015bci po seansie. W pewnym momencie Valentin poznaje tajemnicz\u0105 dziewczyn\u0119 &#8211; zapatrzon\u0105 w niego pocz\u0105tkuj\u0105c\u0105 aktork\u0119, kt\u00f3ra okazuje si\u0119 omenem zguby gwiazdora.<\/p>\n<p style=\"text-align: justify\">W\u0105tkiem przewodnim filmu s\u0105 pocz\u0105tki d\u017awi\u0119ku w kinie. Wraz z pierwszym filmem \u201em\u00f3wionym\u201d Valentin traci prac\u0119 i pozycj\u0119 gwiazdy, gubi si\u0119 z \u015bwiecie, gdzie nie jest ju\u017c potrzebny. Powoli traci pieni\u0105dze, a bez kina zdaje sobie spraw\u0119, \u017ce tak naprawd\u0119 nie ma ju\u017c niczego. G\u0142\u00f3wny bohater nie mo\u017ce dostosowa\u0107 si\u0119 do \u015bwiata, w kt\u00f3rym nie jest ju\u017c gwiazd\u0105, tak samo jak nie mo\u017ce dostosowa\u0107 si\u0119 do film\u00f3w ze \u015bcie\u017ck\u0105\u00a0d\u017awi\u0119kow\u0105. \u015awietnie obrazuje to genialna scena snu Valentina.<\/p>\n<p style=\"text-align: justify\">Hazanavicius g\u0142\u00f3wne role powierzy\u0142 dw\u00f3jce swoich ulubionych aktor\u00f3w Jean Dujardinowi i B\u00e9r\u00e9nice Bejo. Oboje wypadaj\u0105 w tej niemej konwencji rewelacyjnie. Dzi\u0119ki nim <em>Artysta<\/em> sprawia wra\u017cenie nakr\u0119conego w latach 20. Oboje zachowuj\u0105 si\u0119 jak postaci wyj\u0119te z tamtych czas\u00f3w, a nale\u017cy zaznaczy\u0107, \u017ce to, co kiedy\u015b by\u0142o jedynym w\u0142a\u015bciwym sposobem grania &#8211; dzisiaj jest ju\u017c nieaktualne. Odzwierciedlenie dawnego stylu wymaga\u0142o nie lada umiej\u0119tno\u015bci i ogromnego przygotowania. Jednak koniec ko\u0144c\u00f3w to nie ich dziwne gestykulacje i strojenie \u015bmiesznych min zrobi\u0142o na mnie najwi\u0119ksze wra\u017cenie. Najlepsze momenty w wykonaniu tego duetu to te, kiedy oboje zaczynaj\u0105 ta\u0144czy\u0107. Niesamowitej lekko\u015bci, z jak\u0105 si\u0119 poruszaj\u0105, nie powstydzi\u0142by si\u0119 sam Fred Astaire, takich rzeczy w kinie ju\u017c si\u0119 po prostu nie widuje.<\/p>\n<p style=\"text-align: justify\"><em>Artysta<\/em> ma jednak kilka minus\u00f3w. Mniej wi\u0119cej w po\u0142owie filmu wyst\u0119puje kilka d\u0142u\u017cyzn i mimo, \u017ce film nie nale\u017cy do gatunki opowie\u015bci rozwlek\u0142ych, to jest kilka moment\u00f3w, kt\u00f3re pozwalaj\u0105 widzowi si\u0119 nudzi\u0107, na szcz\u0119\u015bcie pod koniec historia Valentina nabiera tempa i nie pozwala ju\u017c ani na chwil\u0119 rozproszenia. Na ogromne brawa zas\u0142uguje kilka ostatnich minut filmu i d\u0142ugo wyczekiwana przeze mnie postmodernistyczna zabawa konwencj\u0105, kt\u00f3rej Hazanavicius widocznie nie m\u00f3g\u0142 sobie darowa\u0107.<\/p>\n<p style=\"text-align: justify\">Po g\u0142\u0119bszym zastanowieniu wyp\u0142ywa te\u017c na wierzch pustka przekazywanej historii. Widz u\u015bwiadamia sobie, \u017ce opowie\u015b\u0107 o tych kilku latach z \u017cycia George Valentina nie by\u0142a niczym odkrywczym. Gdyby Hazanavicius opowiedzia\u0142 j\u0105 w 1927 roku, zapewne nie przyci\u0105gn\u0119\u0142a by do kina zbyt wielu widz\u00f3w. Dlaczego wi\u0119c udaje si\u0119 re\u017cyserowi \u201eoszuka\u0107\u201d tak wielu ludzi? Dlaczego <em>Artysta<\/em>, mimo s\u0142abej osi dramaturgicznej tak bardzo si\u0119 podoba? Ot\u00f3\u017c odpowied\u017a jest prosta. Ogl\u0105daj\u0105c ten film, mo\u017cna w ko\u0144cu znowu poczu\u0107 t\u0119 niezwyk\u0142\u0105 magi\u0119 kina, kt\u00f3r\u0105 wyrwa\u0142y widzom multipleksy i formaty 3D. Jest to film zrobiony z mi\u0142o\u015bci do kina, zabawny i smutny jednocze\u015bnie, opowiadaj\u0105cy zwyk\u0142\u0105 histori\u0119 w niezwyk\u0142y spos\u00f3b. Jest cudowny w swojej prostocie i mimo, \u017ce wiemy, i\u017c re\u017cyser przez p\u00f3\u0142torej godziny nas oszukuje, to oszukiwani by\u0107 chcemy.<\/p>\n<p>Ocena: 8+<\/p>\n<p><em>Artysta, <\/em>re\u017cyseria:\u00a0 Michel Hazanavicius, obsada:\u00a0 Jean Dujardin,\u00a0 B\u00e9r\u00e9nice Bejo, James Cromwell<\/p>\n<p>&nbsp;<\/p>\n<h4 style=\"text-align: right\"><strong><span style=\"font-size: medium\">Mateusz Nieszporek<\/span><\/strong><\/h4>\n","protected":false},"excerpt":{"rendered":"<p>O Arty\u015bcie szersza publiczno\u015b\u0107 us\u0142ysza\u0142a po raz pierwszy podczas zesz\u0142orocznego festiwalu w Cannes. Przyj\u0119to go tam owacjami na stoj\u0105co, a<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_layout":"default_layout","footnotes":""},"categories":[143],"tags":[],"class_list":["post-2086","post","type-post","status-publish","format-standard","hentry","category-inne"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v25.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Druga \u015bmier\u0107 niemego kina - SI\u0118 MY\u015aLI<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/siemysli-ke.info\/en\/druga-smierc-niemego-kina\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Druga \u015bmier\u0107 niemego kina - SI\u0118 MY\u015aLI\" \/>\n<meta property=\"og:description\" content=\"O Arty\u015bcie szersza publiczno\u015b\u0107 us\u0142ysza\u0142a po raz pierwszy podczas zesz\u0142orocznego festiwalu w Cannes. 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