{"id":3252,"date":"2012-02-26T17:31:54","date_gmt":"2012-02-26T17:31:54","guid":{"rendered":"http:\/\/www.bezjarzmowie.info.ke\/test\/?p=3252"},"modified":"2013-11-02T20:56:37","modified_gmt":"2013-11-02T19:56:37","slug":"scorsese-sklada-hold","status":"publish","type":"post","link":"https:\/\/siemysli-ke.info\/de\/scorsese-sklada-hold\/","title":{"rendered":"Scorsese sk\u0142ada ho\u0142d"},"content":{"rendered":"<p><a href=\"http:\/\/www.bezjarzmowie.info.ke\/test\/wp-content\/uploads\/2012\/02\/hugo.jpg\" rel=\"lightbox[3252]\"><img decoding=\"async\" class=\"alignleft size-medium wp-image-3253\" src=\"http:\/\/www.bezjarzmowie.info.ke\/test\/wp-content\/uploads\/2012\/02\/hugo-202x300.jpg\" alt=\"\" width=\"202\" height=\"300\" \/><\/a><\/p>\n<p style=\"text-align: justify\"><span style=\"font-size: small\">Wsp\u00f3\u0142czesne kino ma ju\u017c niewielu re\u017cyser\u00f3w, kt\u00f3rym mo\u017ce dzi\u0119kowa\u0107 za sw\u00f3j rozw\u00f3j, a je\u017celi by do tego dosz\u0142o, to jednym z najwa\u017cniejszych by\u0142by Martin Scorsese &#8211; cz\u0142owiek, kt\u00f3ry stworzy\u0142 Roberta De Niro i przywr\u00f3ci\u0142 \u015bwiatu Leonarda DiCaprio, autor najwa\u017cniejszych film\u00f3w w historii kina gangsterskiego i prawdopodobnie jeden z najwa\u017cniejszych re\u017cyser\u00f3w drugiej po\u0142owy XX wieku. Dlatego te\u017c dziwi, \u017ce w momencie, w kt\u00f3rym to Scorsese powinien otrzyma\u0107 filmow\u0105 laurk\u0119 w podzi\u0119kowaniu za ca\u0142\u0105 jego prac\u0119, on sam tak\u0105 laurk\u0119 sk\u0142ada. Jego ho\u0142d nazywa si\u0119 <em>Hugo<\/em>, a sk\u0142adany jest cichemu ojcu kina \u2013 Georges\u2019owi Meliesowi.<\/span><\/p>\n<p style=\"text-align: justify\">\u00a0<!--more--><\/p>\n<p style=\"text-align: justify\"><span style=\"font-size: small\"><em>Hugo<\/em> z pozoru prezentuje si\u0119 jak film dla dzieci; sam przed seansem my\u015bla\u0142em o nim jak o fanaberii re\u017cysera. By\u0142em pewien, \u017ce w dobie 3D i <em>greenbox\u00f3w<\/em> Scorsese nie mo\u017ce obej\u015b\u0107 si\u0119 smakiem i sam te\u017c zdecydowa\u0142 zrobi\u0107 sobie film w najnowszej technologii. Taka dziedzina kina nigdy go do tej pory nie interesowa\u0142a, wi\u0119c po co szturmuje terytoria Zemeckisa? Prawdopodobnie po to, by m\u00f3wi\u0105c o cudach pocz\u0105tk\u00f3w kina &#8211; jednocze\u015bnie zaprezentowa\u0107, w jakim miejscu jest ono obecnie.<\/span><\/p>\n<p style=\"text-align: justify\"><span style=\"font-size: small\">G\u0142\u00f3wnego bohatera \u2013 tytu\u0142owego Hugo \u2013 poznajemy na dworcu, kiedy to z pasj\u0105 oddaje si\u0119 nakr\u0119caniu tamtejszych zegar\u00f3w. \u0141atwo mo\u017cna wywnioskowa\u0107, \u017ce bohater jest sierot\u0105, mieszka w trudno dost\u0119pnej zegarowej wie\u017cy, a za jedynego przyjaciela ma zepsutego robota. Ch\u0142opiec desperacko poszukuje sposobu, aby naprawi\u0107 maszyn\u0119 \u2013 jedyn\u0105 pami\u0105tk\u0119 po ojcu \u2013 i w\u0142a\u015bnie podczas jednej z eskapad, maj\u0105cych na celu poszukiwanie cz\u0119\u015bci, zostaje przy\u0142apany przez starego sklepikarza. \u00a0\u00a0\u00a0\u00a0<\/span><\/p>\n<p style=\"text-align: justify\"><span style=\"font-size: small\">Fabu\u0142a filmu nie nale\u017cy do zbyt skomplikowanych, je\u015bli wi\u0119c kto\u015b liczy na przygod\u0119 \u017cycia w stylu podr\u00f3\u017cy Tintina czy Indiany Jonesa &#8211; to odradzam. Jedyne niebezpiecze\u0144stwo, jakie czeka na g\u0142\u00f3wnego bohatera, to dworcowy inspektor, kt\u00f3ry usilnie pr\u00f3buje ch\u0142opaka z\u0142apa\u0107 i wys\u0142a\u0107 do sieroci\u0144ca. <em>Hugo<\/em> nale\u017cy raczej do gatunku film\u00f3w kameralnych tre\u015bciowo. Owszem, Scorsese zastosowa\u0142 tutaj technologi\u0119, kt\u00f3ra wizualnie przewy\u017csza nawet <em>Avatara<\/em>, ale stosuje j\u0105 bardzo oszcz\u0119dnie, a z czasem wycisza do tego stopnia, \u017ce widz zapomina o tym, \u017ce ogl\u0105da fajerwerki, a po prostu si\u0119 nimi delektuje. Na tym polega w\u0142a\u015bnie wyczucie kina i ogromna \u015bwiadomo\u015b\u0107 kinematograficznych dzia\u0142a\u0144. Scorsese po raz kolejny potwierdza, \u017ce jest mistrzem.<\/span><\/p>\n<p style=\"text-align: justify\"><span style=\"font-size: small\">Niestety &#8211; <em>Hugo<\/em> to nie tylko technologia i re\u017cyserski kunszt, ale te\u017c historia, kt\u00f3ra niestety mocno kuleje. Pierwsza godzina filmu, to nic wi\u0119cej jak ciche snucie si\u0119 g\u0142\u00f3wnego bohatera po dworcu i jakie\u015b niemrawe wst\u0119py fabularne. W tej cz\u0119\u015bci zdecydowanie za du\u017co te\u017c inspektora kolejowego, w kt\u00f3rego wcieli\u0142 si\u0119 Sasha Baron Cohen, posta\u0107 znana g\u0142\u00f3wnie z idiotycznego prowokowania Hollywood filmami takimi jak <em>Bruno<\/em> czy <em>Borat<\/em>. Obsadzenie Cohena w tej roli mo\u017ce i nie by\u0142o b\u0142\u0119dem, ale w\u0142o\u017cenie mu w usta g\u0142upich dialog\u00f3w, zakrawa ju\u017c na ch\u0142ost\u0119 dla scenarzysty. Akcja zaczyna rozkr\u0119ca\u0107 si\u0119 dopiero w momencie, w kt\u00f3rym na jaw wychodzi prawdziwa to\u017csamo\u015b\u0107 sklepikarza, kt\u00f3rego okrada\u0142 Hugo. Stary, zm\u0119czony \u017cyciem dziadek, okazuje si\u0119 by\u0107 Georges\u2019em Melies, a poznajemy go w okresie ogromnej depresji, wynikaj\u0105cej z przekonania, i\u017c kino ju\u017c umar\u0142o. \u015awiat my\u015bli, \u017ce Melies umar\u0142, a Melies my\u015bli, i\u017c martwe jest kino, tote\u017c Hugo i wychowanka Georges\u2019a &#8211; Isabelle &#8211; postanawiaj\u0105 za wszelk\u0105 cen\u0119 przywr\u00f3ci\u0107 mu wiar\u0119 w magi\u0119 kina.<\/span><\/p>\n<p style=\"text-align: justify\"><span style=\"font-size: small\">Melies by\u0142 w swoich czasach uwa\u017cany za iluzjonist\u0119 kina. Do\u015bwiadczenie, kt\u00f3re zdoby\u0142 podczas pracy jako magik, prze\u0142o\u017cy\u0142 na ta\u015bm\u0119 filmow\u0105 i w ten spos\u00f3b dosz\u0142o do ewolucji wynalazku braci Lumi\u00e8re. Charakterystyczne dla jego film\u00f3w sta\u0142y si\u0119 eksperymenty. Sprawia\u0142, \u017ce ludzie znikali, albo zamieniali si\u0119 g\u0142owami, pokazywa\u0142 mumie i szkielety. W tamtych czasach by\u0142y to rzeczy nie do pomy\u015blenia. Kino polega\u0142o jeszcze na ogl\u0105daniu film\u00f3w z \u017cycia ulicy, ma\u0142o by\u0142o aktor\u00f3w, a scenariusze biedne. Nikt tak naprawd\u0119 nie u\u017cywa\u0142 wyobra\u017ani, jednak jak m\u00f3wi w filmie sam Melies: \u201eWojna wszystko zmieni\u0142a\u201d.<\/span><\/p>\n<p style=\"text-align: justify\"><span style=\"font-size: small\">W posta\u0107 zapomnianego mistrza kina wcieli\u0142 si\u0119 Ben Kinsley, w jego wychowank\u0119 &#8211; Isabelle Chloe Grace Moretz, a tytu\u0142owego bohatera zagra\u0142 znany z <em>Ch\u0142opca w pasiastej pid\u017camie<\/em> &#8211; Asa Butterfield. Na drugi plan Scorsese \u015bci\u0105gn\u0105\u0142 gar\u015b\u0107 niesamowitych aktor\u00f3w, kt\u00f3rzy jednak maj\u0105 tylko po kilkana\u015bcie sekund na ekranie, a szkoda, bo z postaci ojca Hugo &#8211; granego przez Jude Lawa mo\u017cna by\u0142o jeszcze sporo wyci\u0105gn\u0105\u0107. Po \u015bmierci ojca Hugo trafia pod opiek\u0119 wuja z twarz\u0105 Ray\u2019a Winstone\u2019a, ale jego te\u017c widzimy zaledwie w jednej scenie. Jest jeszcze stary bibliotekarz, kt\u00f3rego rola przypad\u0142a jednej z najwi\u0119kszych ikon wsp\u00f3\u0142czesnego kina, czyli Christopherowi Lee. Troch\u0119 wi\u0119cej do zagrania maj\u0105 Emily Mortimer i Michael Stuhlbarg (znajomy re\u017cysera z <em>Zakazanego imperium<\/em>). Nad aktorstwem w tym filmie nie ma si\u0119 co rozwodzi\u0107, poniewa\u017c od razu by\u0142o wiadomo, \u017ce wszyscy zagraj\u0105 perfekcyjnie. Nie odstawia si\u0119 fuszerki aktorskiej w filmie Martina Scorsese, jednak\u017ce z drugiej strony scenariusz nie daje im te\u017c zbyt du\u017cego pola do popisu. Postaci zwykle siedz\u0105 i rozmawiaj\u0105 bez wi\u0119kszych emocji.<\/span><\/p>\n<p style=\"text-align: justify\"><span style=\"font-size: small\"><em>Hugo <\/em>jest filmem dobrym, jednak obawiam si\u0119, \u017ce aby w pe\u0142ni zrozumie\u0107 jego sens i si\u0119 we\u0144 wci\u0105gn\u0105\u0107, trzeba pozna\u0107 i zrozumie\u0107 histori\u0119 kina. Nie jest to te\u017c zdecydowanie film dla dzieci, poniewa\u017c jedyn\u0105 rzecz\u0105, kt\u00f3ra mo\u017ce si\u0119 tam nieletnim spodoba\u0107 b\u0119dzie 3D, a kiedy ju\u017c znudz\u0105 si\u0119 kolorowymi okularami mog\u0105 zacz\u0105\u0107 narzeka\u0107 na nud\u0119. <em>Hugo<\/em> to ho\u0142d, ogl\u0105da si\u0119 go podobnie jak <em>Artyst\u0119<\/em>. To filmy o mi\u0142o\u015bci do kina, o jego ewolucji i historii.<\/span><\/p>\n<p style=\"text-align: justify\"><span style=\"font-size: small\">\u00a0<\/span><\/p>\n<p><em>Ocena: 7<\/em><\/p>\n<p style=\"text-align: right\"><strong><span style=\"font-size: medium\">\u00a0Mateusz Nieszporek<\/span><\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><em>Hugo i jego wynalazek<\/em>, re\u017cyseria: Martin Scorsese, obsada: Asa Butterfield, Chloe Grace Moretz, Ben Kinsley<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Wsp\u00f3\u0142czesne kino ma ju\u017c niewielu re\u017cyser\u00f3w, kt\u00f3rym mo\u017ce dzi\u0119kowa\u0107 za sw\u00f3j rozw\u00f3j, a je\u017celi by do tego dosz\u0142o, to jednym<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_layout":"default_layout","footnotes":""},"categories":[143],"tags":[],"class_list":["post-3252","post","type-post","status-publish","format-standard","hentry","category-inne"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v25.1 - 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